by Phillip Hall
for the progressive bluegrass of Punch Brothers arranged in the old-fashioned way (on a magic carpet around a single mighty mic) I am more indebted than ever to my partner safe at home but also, more a cock on the lookout whose ensemble overdrive is measured in teaspoons of vegemite or crushed garlic or in mugs of strong black coffee hiding the bottle of pre-noon comeuppance that makes bearable the reels and jigs of perfidy and moonshine soaked up in a sofa’s distressed leather: I am unshaven, daggy in worn black and grey tracksuit and holey woollen socks, shying away from the world dog-tired from that damned earworm jingle of what I’ve become: I wish to look at home in check or plaid or flannel, to be practised with power tools and solvents whilst commiserating in a convivial evening’s ‘Hops of Guldenberg’ or amidst other such booze-soaked hymns but all I now get is an empty inbox as I turn over and over to ‘punch brothers punch with care’.
Welcome essay:
Punch Brothers is an American progressive bluegrass band made up of Chris Eldridge (on acoustic guitar), Paul Kowert (on double bass), Noam Pikelney (on banjo), Chris Thile (on mandolin) & Gabe Witcher (on fiddle). Music is a vital part of my life, and along with my family, has got me through many tough spots. Unfortunately, I am not always grateful of their help, which I sometimes confuse with meddling interference – depression is a stink.
Poet biography:
Phillip Hall lives in Melbourne, where he is a passionate member of the Western Bulldogs Football Club. His publications include Sweetened in Coals (Ginninderra Press, 2014), Borroloola Class (IPSI, 2018), Fume (UWAP, 2018) and (as editor) Diwurruwurru: Poetry from the Gulf of Carpentaria (Blank Rune Press, 2015). His newest book, Cactus, is forthcoming with Recent Work Press in 2021. He also co-publishes the e-journal Burrow: https://oldwaterratpublishing.com.