Tide’s Out

Kristi Johansen

receded 
      

along the mud flats  
the scum 

white frothy residues
Limbs
were broken 
Shells
Splintered
with barnacles under foot

just a matter of course,

down the ramp, next to the tin shack
about two down river
the watery slap, slap boat side

skipping stones along its axis
the surfaces we break
the ripple
The traces of events that expand and expand

To wander 
the footfalls

along the bank
on the punt 
upriver

A territory of birds 
A Sea Eagle perched atop the right branch
limp boughs drop a curtsy
she’s past her third husband now

boats are birthing

Ground the boat
Ground the boat

Idling

Couta
Salted
wet

unpacking 
gut the fish..... 
territorial gulls 
break into Long Call
Glaucous-wings on voice

after the entrails

A whistling
Swells
A fissure falters

Unmoored

Bin in the wars
The spirit groans
Within

traverse the edges then
Where feathers and sticks and broken withy unite

Bend down, stoop, archaic, humble,
Wallow
wading into the fullness 

among 
the rocks,

careful of the under tow,
watch out for the rip

then being urged to 
“STOP MAKING WAVES’.


Tides in

The cumulus is building
She’s drifting
Loop knots
Slipped the moorings

Built with the King Billy
A lightweight huon pine

adz shaping the pine
with bell like tones 
changing with the density 


The Curvature in the wood
Is shaped for the knee
and smoothed edge to edge

Oh, The lustre

She’s going after heavy weather,

Tether down

the moons on its back....

tarpaulin stretched, 
to the end 
the triangled edge
sharp
water 
tight 
jib
bough 
sprit

Pointing into wind

With Waves cresting
 she follows the courage along the coast

Amidst a radiant darkness

Will our anchor hold?

Contextual Essay: My uncle and I sat in conversation about life on the river in Tasmania where I was brought up. We reminisced about the life then and talked of the language that was shaped by place and/or the place that was shaped by the language we gave it; Both of us have been ‘shaped’ by it. We both have walked the flats, upon broken limbs and splintered shells.  Both of us have ‘bin in the wars’.


Kristi Johansen grew up ‘boat side’ on the edges of the Leven River on Tasmania’s North West Coast. She wandered along its banks and upon its edges. She has always loved those on the edges. She reclaims those edges and those that have dwelt there; it is here that she pursues the redeeming love of telling story in whatever its forms.

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